2020 Social Justice Art

 
 
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"Have confidence in the young people, give them a chance, and they will surprise you."

Kofi Annan

 

Summer Jobs for Our New Reality…

Every summer, Creative Art Works provides creative workforce development training to over 100 teens and young adults through the creation of large-scale public art and multimedia projects. As the pandemic unfolded, and with New York City’s Summer Youth Employment Program then in flux, we knew that we needed to move quickly in order to offer employment opportunities to young people. This summer, CAW developed a Remote Digital Public Art Youth Employment Program and committed to providing jobs to over 50 teens and young adults as direct hires. CAW is employing Youth Apprentices (YA's) from all over the city to work ten hours per week for six weeks. YA's earn NYC minimum wage.

This digital art and photography internship is being taught by Teaching Artist Alinna Diaz-Porro, who joins CAW again follwing the successful pilot version of our remote employment program this past spring with interns from Liberty High School, known as “Hold On.” That program and the current program were both designed to give Youth Apprentices a voice in the conversation about social justice issues that have gained momentum in the past year.

By the end of the summer, each YA will complete a personal digital portfolio consisting of four major components:

  • Two social justice posters
  • A collection of inclusive stock photography
  • A video artist statement.

We invited the public to join us for two culminating events via ZOOM on August 13th. Both events were attended by friends, family, staff, CAW board members and several guests from the graphics, branding, and entertainment industries.

 

Meet The Artists

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“They look like me!”

People of Color and the LGBTQ+ community are underrepresented on most commercial stock photography websites. We wanted to do something about that. These photos will be made available on Pexels, a stock photography site which is dedicated to creating a broadly diverse and multicultural store of high-quality stock images. These photos will also serve as a shared resource for the two posters that each YA will design later in the program.

Isanah Strickland

And The Winner Is...

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BEST POSTERS

 
 

Allerza Pena Alcantara

Best Poster, AM Cohort

I want to show what it is to be a woman in today's society — being mistreated, harassed, and having to deal with trauma due to the treatment we receive. I want everyone to open their eyes and to imagine a world without women, without our care and our devotion for those that we love. It would be a disaster to live without a mother who will take good care of you, without a wife to support you, or without a sister to listen to your problems. Our world would be nothing without women, so let's take care of our women!


Carl Hughes

Best Poster, PM Cohort

I wanted to show the emotions of African Americans. Surrounding the boy are news articles of common things people of color have suffered in America for generations: slavery, police brutality, and incarceration for crimes they did not commit. The articles on my poster date back from the early 1600s and yet similar things still occur today, which led me to chose the slogan, “When Will It End?” The boy in the poster represents hope for the future generations to see the end of people of color being treated the way we have been for so many centuries.


Aminah Cadesca

Best Poster Runner-Up, AM Cohort

This poster is to make people aware of the justice system that associates black people with negative stereotypes. These stereotypes includes black people being very violent and aggressive. For example, in How To Kill A Mockingbird, a black man was sentenced for raping a women even though all the evidence pointed towards the white man. Because of the simple fact that he was black, the jury decided that he was guilty.


Karah Thomas

Best Poster Runner-Up, PM Cohort

Drawing inspiration from Maya Angelou's poem, "Still I Rise," I view my poster as a way of saying brighter days are ahead of you. All over the media, young African Americans are constantly painted in a negative light. I wanted my poster to show a black man with such a bright future he had to cover his eyes.

Painting by Karah Thomas


Victoria Jaimes-Ocampo

Greatest Call to Action, Am Cohort

I am passionate about the issue of family separation because thousands of minors are locked away in immigration facilities alone while their parents are detained far away, yet so many people seem to turn their heads and pretend nothing is happening. I emphasized this message by using a photo of hands which look like they are being separated and by including a background of a barbed wire fence. I want my audience to feel empathy. I also included resources at the bottom of the poster for families who need assistance and for people who want to offer their help.


Johnny Pagan

Greatest Call to Action, PM Cohort

Both of my parents are deaf, so I feel that I put a lot of myself into this poster. This poster is the better out of two versions I worked on simultaneously. I'm confident that the message in this one is a lot more clear, all the elements flows better with each other, and everything is easier to see, compared to the other poster, where everything was dark and you really had to focus to see the details. I feel that this poster is more successful since I can relate to it and explain it better.


Abigaile Jeudy

F. Y. Eye Selected Poster

 

F.Y. Eye is a NYC-based and focused full-service nonprofit advertising group that works exclusively with other nonprofits and government agencies to build public awareness about the wealth of social, civic, educational, legal, financial and health-related resources available to New Yorkers in need. F.Y. Eye achieves this mission by developing and disseminating PSAs that generate attention and action on issues of public concern. Their cornerstone program is the digital PSA Network, an ecosystem of over 100 digital billboards located in high-traffic nonprofits throughout NYC, built specifically to promote critical advocacy messages. F.Y Eye has graciously donated more than $30,000 in media support to highlight one of the social impact messages produced through CAW’s Remote Digital Public Art Program. Congratulations to the winner, Abigaile Jeudy!

Poster by Abigaile Jeudy. Photo by Jackie Hernandez for the Inclusive Stock Photography collection.

2020 Social Justice Superlatives

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Shakira Pendley

Most Supportive Team Player

AM Cohort

 

Oscar Saavedra

Most Supportive Team Player

PM Cohort


Serenity Heard

 

Natajah Graham

Serenity Heard

Best Communicator Award

AM Cohort

 

Natajha Graham

Best Communicator Award

PM Cohort


Gabriel Bono

Perseverance Award

AM Cohort

 

Isanah Strickland

Perseverance Award

PM Cohort

Thank you!

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Made possible by...

This Public Art Youth Employment program was made possible in part by public funds from the Manhattan Borough President’s Manhattan Community Award Program, and by the New York City Department of Cultural Affairs in partnership with the City Council, and by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.

Additional funding was provided by the Crowell & Moring Foundation, The RBC Foundation, The Sills Family Foundation, and the many sponsors and donors who contributed to our 2020 Annual Benefit for Kids, especially our 2020 honoree Jerome Montrone.


Special Thanks...

Thanks to the NYC Department of Youth and Community Development for its inspiration and enthusiastic support of Summer Youth Employment.

Half of the Youth Apprentices in this program came from A. Philip Randolph Campus High School. We wish to thank Principal David Fanning for embracing not only our longstanding partnership but specifically the value of our workforce apprenticeships. Thanks also to the APRCHS Assistant Principal Daniel Colanco, and Advisors Ms. Griffith and Ms. Salas.

We are grateful to our visiting guest commentators who gave so generously of their time and experience by providing feedback to our Youth Apprentices: Elena Gil-Chang, formerly of Lippincott and now of Plaid; Will Dennis formerly of DC/Vertigo Comics; Rana Sidahmed of Avery Dennison, and Nina Robbins of F.Y. Eye.


Teaching Artists and Staff...

Alinna Diaz-Porro, CAW Teaching Artist
Alex Karpa, Summer Program Coordinator

Brian Ricklin, President and CEO
Karen Jolicoeur, Deputy Director | Director of Development
Lance Paladino, Manager of Teaching & Learning
Scott Lucas, Marketing & Communications Manager
Jill Goldstein, Office Manager