Posts tagged creatourfuture
Seeing the Big Picture

“I like the way I’m growing as a person. I never used to listen to anybody. I never wanted to do what I was supposed to do, but now I understand as you get older, a whole lot of things change. You’ve got to move different.”

– CAW Youth Apprentice Deysean Nesbit

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An Unforgettable Summer

This summer, Creative Art Works hired a Shay Epps, a former Youth Apprentice, to work as our Field Correspondent for our summer Public Art Youth Employment program. Shay was our eyes and ears on the ground, visiting all six of our worksites on a regular basis until she became a familiar presence. Shay demonstrated a gift for capturing candid photos and honest interviews. We asked her to reflect on her experiences.

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An Oasis in the Heart of The City

Oasis, Creative Art Works' new mural at 601 Lexington Avenue, has been an extraordinary experience in many ways. For most of the Youth Apprentices who contributed to the design and execution of this mural, this was their first work experience and, for many of them, it was their first time making art of any sort. Yet they succeeded beautifully. The ethnic, religious and linguistic diversity of these young people is a reflection of, and a testament to, the creative dynamism that makes New York the greatest city in the world. Our Youth Apprentices flourished as individuals and succeeded as a team because of the unique attributes and different perspectives they brought to the table.

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Many Hands Make Light Work

CAW Youth Apprentices from Queensbridge Houses and Jacob Riis Neighborhood Settlement came together one Saturday to beautify "Baby" Park in Queensbridge. An outpouring of community support created a memorable day and a mural that will last for many years.



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Short Films, Worthy Subjects

The most important connections in our lives are the ones closest to home. This summer, our Multimedia Team created five short films about nonprofits and other organizations that work to improve the quality of life in our city. The subjects include pianos in public places, a grass-roots effort to make improvements to a local city park, an ambitious plan to create murals in Upper Manhattan of 314 North American birds threatened by climate change, and a program that brings soccer and poetry to young NYC residents. Of course, there is also a documentary about Creative Art Works summer Public Art Youth Employment program

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So Much More

Migrations” is part of the The Audubon Mural Project, a collaboration between the National Audubon Society and Gitler &_____ Gallery to create murals of North American birds around Washington Heights, where John James Audubon lived during the last years of his life. The project’s goal is to commission artists to paint murals of 314 species of birds which are threatened by a warming climate.

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Summer of Love at The Winter Garden

Corporate art can be very boring, because there’s a perceived expectation of what corporations want, which can be interpreted as sterile or somber. So, don't give us what you think we want. Don't give us stock photos. Be real. Be bold. Be honest. Challenge our expectations.”

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We Are Family

“The family that I’ve created outside of my blood
Molded me into the person I want to be
And the greater idea is that my life has just begun
And my train ride ain’t over yet.”

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Rising to the Top

The 18 Youth Apprentices who designed this mural wanted to offer a message of hope and unity to the young people of the South Bronx, and to inspire them to pursue their passions and make healthy life choices. This message informs the symbolism of the mural. As a storm clears behind them, two PAL kids, supported by lily pads, work together to unlock the magic of their potential futures. The water illy symbolizes resilience and strength, as it gestates in the mud and rises to the top of the pond to bloom as a beautiful flower.

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Lightning Strikes Twice

Our first set of "lightning interviews" were recorded on only the second day of our summer Public Art Youth Employment program, when our Youth Apprentices were just starting to get a handle on their job responsibilities. We're now past the halfway point, so our young painters and videographers have some experience under their belts. They know their jobs. They know their projects have tight, non-negotiable, deadlines. They know that there are high expectations.

And they are rising to the occasion.

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