Artopia: Creating Something That Comes from You

 
 
It’s about creating your own world — storytelling, imagination, and creating something that comes from you.
— CAW Teaching Artist Golnaz Esmaili

Artopia isn’t a place — it’s a state of mind. Artopia is a teaching philosophy that allows Teaching Artists to create lesson plans that draw on their personal strengths and interests. It is an ethos that values student-driven outcomes. And it is an ideal learning environment centered on creativity and open-ended explorations of artmaking.

Creative Art Works is offering this vibrant mixed-media program at PS/MS 278 in Inwood and PS 192 in Hamilton Heights.

While Artopia projects might include drawing, painting, sculpture, or printmaking, CAW Senior Program Manager of Teaching and Learning Riki Sabel says Artopia embraces a set of values, such as centering student voice, exploring themes of identity, and developing a sense of place in the world.

You can see this philosophy in practice in a lesson plan presented by CAW Teaching Artist Golnaz Esmaili at PS/MS 278. Golnaz began by choosing an idea she explores in her own art practice — stack sculpture. Golnaz began this unit by introducing students to examples from around the world, including Native American totem poles; Balinese gebogan (towering stacks of fruit and flowers made as offerings as part of Hindu religious ceremonies); and Inuit inukshuks (stone cairns used as navigation markers on the Arctic tundra). These examples served as a starting point to discuss key concepts, introduce vocabulary, and define the scope of the project.

Students then tried their hand at creating their own stack sculpture using clay and paint. Some students, influenced by the animal and human forms featured in totems, chose to create people, monsters, dinosaurs, tigers, and even sea monsters. Others, inspired by the symbolic nature of inukshuks, created more abstract sculptures.

Like all Creative Art Works programs, Artopia is intentionally process-driven rather than product-driven. Students take time to experiment and revise their work rather than rushing to completion. Projects often span multiple sessions if students request more time. This willingness to continue refining shows deep engagement and ownership of their work.

Time for frequent reflection is built into the process. Students learn to talk about art and give and receive feedback without fear. Abstraction and other contemporary art concepts can be complex to grasp for this age group, but in Artopia, these topics are introduced in accessible and organic ways.

Not the end of the world

Art often doesn’t turn out the way we plan. Students are encouraged to embrace "happy accidents” and to look for clever solutions when things don't go your way — as when a figure won’t stand on its own legs. At times like this, it helps to have the encouragement of your classmates. “A lot of times, if one student struggles, whoever's next to them is more than happy to help them figure out what to do,” says Program Manager Donna Manganello. “It's a very supportive environment”.

Setbacks are just part of learning. Golnaz says, “It’s not the end of the world if something breaks. You can fix it and learn new techniques that become part of your process.”

There’s no ‘bad’ in art. Everything is art.
— PS 278 Student

When students in another Artopia program, at PS 192 struggled with an early lesson, Teaching Artist Demetrius Felders recognized the need to focus on projects that help them better develop their fine-motor skills. He revised the curriculum to include sculpture and kinesthetic art, which challenge young hands to manipulate tools and materials in three dimensions. Demetrius says; struggling with technical challenges builds confidence as well as dexterity.

Demetrius embraces CAW’s core value of social justice and empowers his students to use their art to envision a positive future.

Artopia will continue through the end of the spring semester. Both schools will celebrate student achievements with a gallery walk and culminating event open to friends, family, and the wider school community.

 
The solution relies on the imagination. If you can imagine it, you can make it come true.
— CAW Teaching Artist Demetrius Felders
 

Artopia will continue through the end of the spring semester. Both schools will celebrate student achievements with a gallery walk and culminating event open to friends, family, and the wider school community.

Teaching Staff

Jonathan Hyman
Teaching Artist Assistant-in-Training

Golnaz Esmaili
Teaching Artist

Demetrius Felder
Teaching Artist

CAW Staff

Kevin Claiborne
Program Manager

Riki Sabel
Program Manager of Teaching & Learning

Emilio Vides-Curnen
Operations Coordinator

Madeline De León
Program Coordinator

Paola Gonzalez 
Development & Communications Coordinator

Ivory Nunez-Medrano
Community Artmaking Initiatives Coordinator

Karen Jolicoeur
Executive Director

Ian Newton
Director of Finance & Administration

Clair Vogel
Development Manager

Jill Goldstein
Human Resources & Office Manager

Scott Lucas
Manager of Marketing & Communications

Donna Manganello 
Program Manager


This Creative Art Works program is supported, in part, by the New York City Department of Cultural Affairs and the Cultural After-School Adventures (CASA) Initiative in partnership with the NYC Council and Council Member Shaun Abreu (PS 192) and Council Member Carmen de la Rosa (PS/MS 278). This Creative Art Works program is also made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

 
 
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